Inspired in part by Jóhann Jóhannsson's film adaptation of Olaf Stapledon's "Last and First Men," this portfolio delves into the silent remnants of an abstracted, seemingly bygone metropolis. Much like Stapledon's sweeping narrative of civilizations rising and fading over eons, these haunting monuments invite a contemplation of time's vastness, the impermanence of even the grandest human creations, and our place within the unfolding tapestry of existence.
