Inspired in part by the Jóhann Jóhannsson's visionary film adaptation of Olaf Stapledon's "Last and First Men," this portfolio delves into the silent remnants of an abstracted, seemingly bygone metropolis. Much like Stapledon's sweeping narrative of civilizations rising and fading over eons, these haunted monuments invite a contemplation of time's vastness, the impermanence of grand human creations, and our place within the unfolding tapestry of existence.
